Monday, February 10, 2014

Luigi Pirandello

IntroductionLuigi Pirandello, author, Nobel laureate and giant in the world of letters was congenital to an affluent family near Agrigento, Sicily, on June 28, 1867. How tempting it is to speculate that the impetuous preoccupation with invocation and deception that haunted Pirandello was due to his struggles with his wifes hydrophobia, or that the deception of which he spoke was the deception necessary to reconcile him to submit to a prearranged marriage to a pre-psychotic woman. These formulations whitethorn be appealing, but they are speculations. We do not have the poet here to reveal him, nor are we privileged to hear his free associations. (Coppolillo 411-35) We single when know that he held before us images of a public condition that had touched human awareness for eons, but which had neer before been described with the poignancy and clarity that his descriptions achieved. It is perhaps easier to feel with and understand the phenomena of illusion and self-decept ion and the human struggle to pock off illusion and verity if we used as examples madness and psychological illness. But this would pathologize and distort the concept that Pirandello was seeking to portray. He matt-up that a human beings struggle to differentiate illusion and reality was universal and that evidence for it could be found in general life. For this reason the play Luomo dal Fiore in Bocca, translated beautifully by Gatti and Doyle as The Man with the Flower in His Mouth, conveys Pirandellos dissertation so poignantly and so convincingly. (Rapaport 13-35)Henry IVIn Henry IV the point is madness, which Pirandello proposes is average under the surface of every personality and which he feels may be, for some people, more tolerable and perhaps more console and gratifying, than attempts to live with reality. It was to be decades before this theme was to... If you fatality to read a full essay, order it on our website: OrderCustomP! aper.com

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